Slice some pork belly, then simmer them until soft with the right seasonings. Wash the clam and stir-fry with sesame oil, then add the pork slice and its juices to cook. One should add more autumn sauce when cooking so there is sufficient flavour. Tofu can also be added if desired.
Giant clams are produced in Yangzhou. Due to concerns over spoiling, they usually are sold shucked and preserved in lard such that they can endure longer transport.1 The sun-dried item is also very good. When cooked in chicken broth, they are much better than dried razor clams. Giant clams can also be pounded until tender and flat as a pancake, then pan-fried and eaten like a shrimp cake. These are good with seasonings added.
Notes: 1An interesting method of preservation, similar to ways of making French rillette or English potted meats.
2Che’ao (蛼螯) is likely the giant clams of Genus Tridacna or Hippopus. On top of eaten as a food, the thick shells of these clams are also carved and polished into beads for jewelery and treated as a type of gemstone.
Chop a soft-shelled turtle into four pieces and stir-fry thoroughly in a hot wok. For every jin of the turtle, braise it with four liang of wine, three qian of star anise, and one and a half qian of salt until half done. Add two liang of rendered lard and chop the turtle into small dice before braising, adding garlic and bamboo shoot tips. Before plating add green onion and Szechuan pepper. One can add autumn sauce before plating, but never add salt. This is a recipe from the household of Tang Jinghan of Suzhou. Large soft-shelled turtle are tough and small ones smell fishy. Its best to buy one that is medium in size.
Take a soft-shelled turtle weighing half a jin1 and chop it into four pieces. Add three liang of rendered lard to a heated wok and pan-fry the turtle so that the pieces are golden brown on both sides. Braise with water, autumn sauce, and wine, first with a hot flame then a gentle flame. Add garlic when the turtle is eighty percent done. Before plating add green onion, ginger, and sugar. When choosing soft-shelled turtles for this dish prefer smaller ones to larger ones. Only those small turtles colloquially known as “boy’s foot turtle” are sufficiently tender.
Note: 1 Around 300g in Yuan Mei’s time, or a bit more than half a pound
* The actual size of the turtle used in this recipe is probably quite a bit larger than the one shown in the picture. One with the required weight would probably be large enough to fit in the palm of an adult hand.
Use either a live redfin culter or black carp, split the fish in half, and nail it to a board. Use a knife and scrap off the meat, leaving the bones and spine on the board. Chop the meat until fine, mix with lard and bean starch,1 then stir the mixture with one’s hand. Add a little salt water, but do not use light soy sauce. Add green onion and ginger juice, and form the mixture into balls. When this is done, place them in boiling water to cook. Scoop them out when done, and let them rest in a bath of cold water.2 When they are ready to be served, boil them with chicken broth and laver.3
Notes: 1 I’m still wondering if “豆粉” (doufen) is bean starch or bean vermicelli, since both can be used in fish balls. The ambiguity stems from the fact that 粉 (fen) can either be used to mean starch, or one of the many Chinese pasta products made from starch. I’m going with the former since it’s a more common ingredient when making fish balls.
2 This is a very accurate and detailed description of the fish-ball-making process. Definitely one of the better recipes noted-down by Yuan Mei.
3 The laver described here is a type of red algae likely from Genus Porphyra
“Chop the wild duck breast finely, add pork fat and a small amount of starch. Form the mixture into balls,and boil them in chicken broth. It is even better to use the original duck’s broth instead. The household of Kongqin from Daxing makes this exceptionally well.”
Meatballs made from duck breasts cooked in broth. Sounds quite good actually.
“Take a entire chicken and stuff its body cavity with thirty stalks of green onion and two qian of fennel seeds. Use one jin of wine and half a small cup of autumn sauce and boil the chicken for one incense stick’s time. Next add one jin of water and two liang of rendered lard and braise everything together. When the chicken is done, skim the fat off the cooking liquid. Be sure to use boiled water when braising. When the cooking liquid has been reduced down to a rice bowl full of thickened glaze, remove the chicken from the pot. The chicken can be served pulled apart by hand or sliced thinly with a knife and then dressed with the glaze.”
Again, nothing to say about this recipe than a few points. I think from now on I’m going to say things in this footnote format if I don’t have anything more substantial to say.
I’ve translated 囫圇 (hulun) as “entire”, as in no guts and feathers but with everything else remaining. The term also has this idea of coarseness from a whole unprocessed item.
A hour to cook chicken is already pretty long. And why add more water? Where chicken that tough in Yuan Mei’s day? Either that or it may be a continuation of Yuan Mei liking everything cooked to falling apart.
“Take chicken breasts from a young bird and slice them. Heat up three liang of rendered lard and stir-fry the chicken giving it three to four tosses. Add a large spoon of sesame oil, and a small spoon each of powdered starch, fine salt, ginger juice, and Szechuan pepper. Finally, add finely sliced snow pear and small pieces of shitake, then stir-fry everything for three or four tosses before plating in a five inch dish.”
Nothing really to say about this other than a few translation notes:
I don’t think there are any difference in anatomy between chicken breast described using the words xiong (胸) and pu (脯). Still I wonder if there are subtle difference in meaning that are being conveyed through the two terms. For example, the terms for sesame oil, could be mayou (麻油) or xiangyou (香油). The first simply indicates that it’s oil taken from the seeds of the sesame/hemp plant, while the second indicates that the oil is fragrant.
Yuan Mei used the word ci (次) to describe the duration of cooking here, which literally means “times”, as in: “How many times were you forced watch Totoro and Frozen this week?”. When Yuan Mei says “stir-fry three or four times“, I’m taking that he means you stir and toss it that many times while cooking
I translated 茶匙 as a “small spoon” instead of its literal meaning “tea spoon”, since most English readers would assume its the standard teaspoon measure otherwise. This small spoon was most likely a small scoop (勺) used for cleaning teapots in kung fu tea “ceremonies” and are probably around half a standard teaspoon.
The pear used is the snow pear (Pyrus nivalis) with its crisp flesh that is similar to very fresh bamboo shoots. Actually, it could be quite an interesting substitute for bamboo shoots in most stir-fry recipes, assuming you don’t overcook it.
If everything was supposed to be place on a five inch dish then it must have been quite a mound of chicken.